Installing the Exhibition

Here is a behind the scenes sneak peek at the installation Armistice: Legacy of the Great War in Norfolk exhibition.

Costumes

At the heart of the exhibition are costumes from the Norfolk Museum’s Service Costume and Textiles Collections. Getting the mannequins dressed was a long and careful process – every detail counts!

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Man-Yee with mannequins (1)
Man Yee making sure the Telegraphist uniform looks just right

You may wonder why Man Yee is not wearing gloves. Although conservators wear gloves when handling most objects, when dealing textiles it’s best to handle them with bare, clean hands. Wearing gloves prevents us from feeling the texture of the fabric and may lead to snagging.

sailor
Debbie dressing our smallest mannequin  featuring the child-sized sailor suit

The Banners

Apart from costumes, the exhibition also features banners. The illustrations on the National Union of General and Municipal Workers banner reflect a sense of optimism for the future. Measuring 2.8 by 3.3 meters this banner rarely gets exhibited.

Union banner (3)

Putting up banners can be quite tricky. Here is our team putting up the banner created and presented to Norwich Cathedral in celebration of the work done by the British Red Cross and the Order of St John of Jerusalem during the War.

Red Cross banner install (6)
It took a lot of people to unroll the delicate silk banner

The Torpedo

The exhibition features the tail of a German Torpedo, type G/6 or G/6D, introduced into the Imperial German Navy in 1911. We borrowed it from the Norfolk & Suffolk Aviation Museum in Flixton. Originally  it probably came from the submarine UB28. The submarine was interned at Great Yarmouth at the end of the War. The original torpedo was about 6 meters long and weighed 2,491 lbs!

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Torpedo tail delivered

 

Unfortunately, the weight restrictions on the bridge leading to Norwich Castle prevented us from displaying the whole torpedo. It was just too heavy!

Picture Norfolk Posters

The back of the first gallery is illuminated with light boxes featuring war time recruiting and fundraising posters, kindly lent to us by Picture Norfolk. You can explore more Picture Norfolk’s extensive collection of photographs at: picture.norfolk.gov.uk. 

 

poster

Poster repros
Tom putting up the poster facsimiles.

Paddy Hartley’s Papaver Rhoeas Poppies

The Poppies are intended equally as a memorial and a critique of aspects of Remembrance culture, the poppies are designed to decay, fragment and collapse throughout the course of the exhibit.

Paddy Hartley install (10)

Produced in collaboration with a team of scientists at King’s College London, the work addresses contemporary notions of remembrance and the cultural phenomena of memorialisation. While individual artworks have been exhibited in sites around central London, this is the first time that all 16 pieces will be shown together, and the first time the work has been presented in the East of England.

We hope you enjoyed the sneak peek at the exhibition preparations.

See you there soon!

 

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